Ghost

I don't care about reactions. Feldy fans are raging and twisting in their chairs since Edging came out, and when OMT was released, the evidence was there: the Skiba years were shit, not because Skiba, but because Feldman. Been discussed to extenuation. The song itself it's bland. I was defending the fact that Skiba was so 'under-used' when joined blink that it's criminal. We all can see that. Skiba in blink, meh, Skiba in AK3 is fire. The last AK3 shits all over California and NINE.

Actually I liked the new record. I wasn't expecting to like it. There are some good songs in there. Sometimes Emily reminds me to Hayley Williams. And also, the last song, which I really liked, get me some "One Day The Only Butterfiles..." vibes by Bring Me The Horizon. I'm still divided. Does this sound like Linkin Park? Yes, in the same fashion a cover band or influenced-by-them band does . But it's this Linkin Park? I don't now. I guess so. That's what the name says.

I found it pretty boring.

The album came out and I think is amazing. Loved it from top to bottom.

Skiba is gold. As someone pointed out. He was not the problem. Feldmann was. I don't remember if I said this before but for me it always was a fantasy to have Matt and Mark doing some kind of side project, some sort of crossover between dark, rough, deep Skiba and also dark, deep and rough Mark- +55 plus AK3. Somehow, stars aligned and made it happen under blink's name. It was not the best output, though. Not either what I craved for or what I'd ever imagined, but I think is the closest I'd ever hear something as I'd love to hear.

Wow. They were nominated with California and not with OMT?

It's a great and well done record. Very inspired. They were in a superb sweetspot after so many years. I mean, lots of people delcared them dead after Wrning (a really good record, IMO). Rumours say they sort of scrapped their first ttempt at what was going to be the follow up to Warning because it was going to be similar to The Network, which they released almost ayear before American Idiot. Anyways, I have my doubts about the stolen record. I mean, after all this years it would have surfaced at any time.

I love this cover

Don't know if it's been posted but here we go. New Tom interview: (do not worry about title, it's obviously in english)

Holy shit, it sounds like the core was basically a Tre Cool idea. What a mess. It's impressive how it turned out, to be honest. There's no way I'd be able to turn that original idea in the mini-opera it ended up being. I guess that's what a musician is made off.

Agree. Whatsername is one of their best songs of their 'second era' (from AI to date).

Of course, I also think there's room for impact after that.

I'd have to find them, but there are a few studies which have demonstrated that music we hear as a teenagers and young aged individuales is the music that stay with us forever. Nothing after that has the same staying power, and it's something related to the 'groing up' thing along with the music we are surrounded of in the process during that period, in which we are settling ourselves as individuals.

Absolutely.