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One more time deluxe thread


Russel Coight

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9 minutes ago, Champ182 said:

Yeahhh hitting a little extra in that department for me unfortunately haha.

I agree with everything you said, the songs have all gotten better with each listen. I love the elements they brought to the table overall, it feels very comfortable and I mean that as a compliment. I think Every Other Weekend, If You Never Left, and One Night Stand are probably the best "classic era" pop punk songs they've done since TOYPAJ. They don't sound forced, they don't sound gimmicky, they bring that melancholy new wave vibe, just solid, solid stuff.

They are super catchy/poppy but that aspect of it feeling like they wanted to make it, not forced, etc is so appealing.

It sounds like they also had a conversation in the studio to not just ‘end on chorus’ like they’ve done so routinely past few iterations, and have Travis ramping it up, new parts at the end are so refreshing.  

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14 minutes ago, Frank Woods said:

And Tom's vocal performance is the best of the last 20 years, and in some ways his "mature" voice is almost more fascinating than that of the classic blink era.

So true, ever since Lifeforms I've noticed Tom's singing has a bit of a playfulness to it when it comes to certain songs which is very nice (I've always been a fan of Tom's voice, but now it's even better because it sounds like he's having fun singing again).

Edited by Monkey Chips
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1 minute ago, Knapppers said:

If You Never Left, my god. This is going to be on repeat for a while. 10/10

It’s fucking fantastic. It ticks so many boxes. Very different to the other standout tracks on OMT but so damn near perfect.

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Can we also take a moment to acknowledge that Can't Go Back lived up to, if not maybe even being better than we had expected? When you hear songs live or demos and love them, they almost never live up to the hype. Can't Go Back blew it out of the water though. 

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44 minutes ago, Champ182 said:

Yeahhh hitting a little extra in that department for me unfortunately haha.

"I see you when I'm closing my eyes" 

For me that part touched something, but never mind... we will come out of this stronger man, I promise💪

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1 hour ago, Jans Stand said:

Dude what are you even talking about?

 They’ve all had breakups, even if they are in “stable” ones now

I've logged in just to respond to you.

I never said you can’t write songs about past situations as if you were back there or ask yourself certain things nowadays. But I can find it odd, right?

You know... today. You left my bed but you really never leave my head. 

I think I like today. See ya, guys. 

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7 minutes ago, Drunk said:

I've logged in just to respond to you.

I never said you can’t write songs about past situations as if you were back there or ask yourself certain things nowadays. But I can find it odd, right?

You know... today. You left my bed but you really never leave my head. 

I think I like today. See ya, guys. 

Log back out. 

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12 minutes ago, Knapppers said:

Can we also take a moment to acknowledge that Can't Go Back lived up to, if not maybe even being better than we had expected? When you hear songs live or demos and love them, they almost never live up to the hype. Can't Go Back blew it out of the water though. 

Yeah, I was afraid that in the studio it would lose the live atmosphere, as happened to GOTD and After Midnight: very promising during the first dates of the Honda Civic Tour, but without transposing the same vibe on the studio record.

In this regard, unlike the first reunion, today it's a totally different era for blink: at the time those two songs - which I personally love - didn't have much impact on the crowd when they played them live before releasing them... while last year in Bologna the whole arena was blown up for Dance With Me and More Than You Know, released just the day before.

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The back half of Every Other Weekend is definitely a peak moment of the OMT era of blink for me. 

The Cure vibes with the instrumentation, Mark's vocals flying in and hitting the bullseye, and then finishing it off with the "every time I watch you gooooo" from both Tom/Mark. 

Just beautiful. 

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Firstly, when they announced 'OMT... Part 2' I though "Jesus, just release them as a new EP". Later, when I realized the 8 songs + the 2 other ones released just after the official OMT release were basically a whole new record, I though: "Jesus f'ing Christ, why in the hell they didn't held those songs to release a new 10 songs album"? But I get it. They pretty much come from the same period of writing and recording, so the overall mood is pretty similar, although there's a noticeable change in feel in the new ones, like some of you have said in this thread. They sound mellower, or darker, so to say. I don't know. They feel slightly different. So it makes sense to release them under the same umbrella, I guess, but also as an expansion of the original tracklist.

Anyways, this new songs are pointing to a different musical landscape. They are blending really well all their influences and side project visions, and the result is fantastic. I'm not expecting blink doing anything too experimental, but I do expect them to explore that path they have showed us in songs like Can't Go Back (qhich, in the end, connects directly to the Untitled era feeling).

Also, I agree Take Me In sounds like Childhood Part 2, or like what Childhood wanted to be, but I preffer Childhood over Take Me in, I guess. My only complain is the production on Chilhood, which has been talked enough.

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46 minutes ago, Knapppers said:

Can we also take a moment to acknowledge that Can't Go Back lived up to, if not maybe even being better than we had expected? When you hear songs live or demos and love them, they almost never live up to the hype. Can't Go Back blew it out of the water though. 

Yeah it’s great but they needed to have a more epic outro. It’s missing that imo. 

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